Weiss mentions that life itself is structured in such a manner and isn’t nearly as tidy. These elements would easily build excitement in viewers, leading them to wonder how all of these different pieces fit together, but short episode lengths mean that such exploration is often not possible. Oobleck, Oobleck asks each of Weiss, Blake and Yang as to their own motivations for choosing the Huntress’ path. Moreover, the characters also appear to have backgrounds of their own that merit exploration while shadowing Dr. A large array of new characters are also introduced. The main element that appears to be holding RWBY back for the present appear to be episodic length: by the second season, it’s clear there’s a brewing conflict between the Huntsmen and Huntresses, as well as rogue organisations such as the White Fang and Torchwick. The strengths and weaknesses inherent in the first season (superior fight scenes and comedy for strengths, plot progression and character development for weaknesses) transfer into the second season, although the second season does have improved artwork overall, with more details in the environment than the first. Thus, as the second season progresses, the conflicts (both internal and external) are developed in tandem with more comical moments this mirrors the way the first season was handled. Season two picks up shortly after season one, continuing with Ruby and her friends’ life at Beacon Academy, while simultaneously (and slowly) presenting the external threat that Torchwick and the White Fang pose. The second season of RWBY continues in the same vein as its predecessor, delving deeper into the meticulously crafted world of Remnant and its inhabitants. Things will be better tomorrow.” - Ruby Rose